Wednesday, 29 June 2011

The Red Carpet


                                                                                                           
School of Art and Design


ND Fashion & Clothing
ND Textiles
Year 1




Project Title: Red Carpet



Project Leader: Beth Hudspith, Holly Brindley, Laura Armstrong


Verified by:

Start Date: 7th Feb 2011

Deadline: 2nd March 2011




Student Name:





Unit No & Title(s)


Unit: W/P


Unit 111 – Fabric Manipulation


W



Background:

Textile designers are continually striving to produce innovative designs and practical work. These can be used in functional applications such as fashion, accessories, fabrics for the home and interiors. They can also be used in work which does not have a design-led function, such as freestanding structures, soft sculptures and hangings.

In the field of textile design, practitioners explore and experiment with different ways of manipulating fabrics. This provides them with the information on the characteristics of both natural and synthetic fabrics. This discovery can then provide them with an invaluable insight and provide them with an innovative basis for their work.

In this unit you will work through a series of tasks which will give you more, invaluable knowledge about fabrics and manipulation techniques.  You will be introduced a range of new processes which should be explored, recorded and evaluated throughout. This will help you refine your ideas and guide the selection you adopt for your final outcome.

The Brief:

For Spring/Summer 2011, the catwalk has seen an explosion of fabric manipulation and over exaggerated design detailing. Theses features include bows, collars, pleats, tucks, ruffles and detailed embellishments. As a designer, the possibilities are endless and in this project you will be given an opportunity to create your very own, fashion statement by creating a garment front suitable for a glitzy ‘Red Carpet’ event.

You will be invited to view 3 influential films and in response, produce work which reflects your own particular area of interest; an outcome which is inspired by the storyline, era or costume. In addition to this, you will look at current catwalk trends and reflect your finding through your work.

Chose from –

  • Fifth Element
  • Pricilla Queen of The Desert
  • Marie Antoinette

Throughout this project you will be working as a textile designer. In this industry, designs for fashion are usually shown as garment fronts only and for very specific market-led briefs. These creative’s, do not interest themselves with the technical detailing needed to manufacture 3D shapes and structures, their remit is, to create ideas that showcase their skilled craftsmanship. The design houses concerned, who commission this type of work, will then reinvent these and adapt them for their own in-store ranges.


You will be introduced to a series of activities where you will explore the physical properties of certain fabrics and fibres. You will carefully analyse these and consider this in conjunction with the processes you explore. You will need to record how you have created your own ‘fabrics’ and applied them to your garment front.

To support these activities you will complete a project evaluation form.

Activities & Tasks:

Research:

Unit
Criteria:
Key
Skills:

  • Produce 1 x A2 boards based on your chosen film and the aspect which inspires you the most.
  • Produce 1 x A2 boards on based on current catwalk trends including those highlighting interesting fabric manipulation techniques and processes.


P1


Development:

Unit
Criteria:
Key
Skills:

  • You will now take part in a range of fabric manipulation workshops. You will need to keep a record of these activities in your technical folder. For marking purposes, please make sure these are kept under a separate heading with each one annotated accordingly. In conjunction with this you will also be introduced to a range of fabrics and fibres and explore their physical properties.
  • Now produce a minimum range of 6 A5/4 finished samples
  • After these are complete, produce a range of design developments for your final outcome on A3 layout paper. These must be in exacting detail and illustrated, where possible in full colour. With guidance from your tutors you will select one idea to take through for manufacture.


P1,2,3
M1,2



Final Outcome:

Unit
Criteria:
Key
Skills:

·         Your final outcome must be completed to the highest standard possible and great care taken with the presentation and finish. At this stage of the course, nothing other than perfection is acceptable!









P1,2,3
M1,2
D1,2


Presentation:
Unit
Criteria:
Key
Skills:

·         1 x A2 board based on your chosen film.
·         1 x A2 board on current catwalk trends.
·         Textile range of 6 A5/4 samples (annotated on reverse)
·         Design development
·         Outcome as agreed with your tutor
·         Technical file with descriptors
·         Project evaluation



P1,2,3
M1,2
D1,2





Unit Assessment Outcomes:
Unit 111 – Fabric Manipulation
On completion of this unit a learner should:

  1. Be able to explore properties and characteristics of fabrics
  2. Be able to produce a body of samples using manipulation techniques and processes
  3. Be able to evaluate work

Grading Criteria:

To achieve a pass grade the evidence must show that the leaner is able to:

P1: Use and recognise the properties and characteristics of fabrics when producing fabric
manipulation samples
P2: Use techniques and processes when producing a body of samples
P3: Evaluate samples throughout the stages of development

To achieve a merit grade the evidence must be show that the leaner is able to:

M1: Consistently produce development work, tests and samples that show understanding and
purpose in adapting ides
M2: Effectively analyse, review and refine a diverse range of ideas and well-considered
processes at relevant stages
M3: Effectively produce a coherent range of effective outcomes to a given brief or scenario

To achieve a Distinction grade the evidence must be show that the leaner is able to:

D1: Independently manipulate a comprehensive range of fabrics to produce a creative and
imaginative set of samples
D2: Perceptively analyse, review and refine a comprehensive range of ideas and
sophisticated processes at relevant stages
D3: Independently produce a sophisticated response and exciting range of innovative
outcomes to a given brief or scenario

Please note: All unit grading criteria is available to view on your course Blackboard site.


Learning materials and Information:
Resources:
A wide range of studio resources are available for you to use in the studio

Books & Periodicals:
Vogue, Collezioni trends, Gap press, Textile view, Show Details, Bloom

IT Resources:




SCHEME OF WORK


Project Week
Course
Week No
Week Start Date
Topic/Syllabus
One
31
17th May
AM: Watch Film one
PM: Watch Film Two


18th May
AM: Watch Film Three
PM: 1 x A2 Boards based on your chosen film


19th May
1 x A2 Boards on current catwalk textile trends
Two
32
24th May
Crit On your finished boards
Workshops


25th May
Samples


26th May
Samples/ Design development
Three
33
31st May – 7th June
Holiday – Spring Week
Four
34
7th June
Garment Fronts/lingerie


8th June
Garment Fronts/lingerie


9th June
Garment Fronts/lingerie

Final Crit 2:00pm
Hand in 3:00pm




Above is the brief for the sixth project.
Below is an arrangement of my work in the same order that I have presented it in my portfolio.
This project was based around textiles.
The following images are of my research and why I am inspired by Marie Antoinette with annotation.




The next four images are my final samples to be considered for my garment front, complete with annotation.



The next images are my design development and my final garment front.



I achieved a Distinction grade for this project.

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